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Current Exhibitions

A Feast for the Eyes
A journey around Special Collections

A Feast for the Eyes We invite you to take a journey around our collections and feast your eyes on the visual delights within. Drawing across our collections and archives, we’ve selected pieces to excite the eye and enliven the senses through a rich display of colours, textures, materials, patterns and styles. Whether you’re looking for engaging objects to enrich a learning session, ideas to stimulate your study or research or something to inspire your creativity there’ll be lots of material on show from books, prints and textiles to 3D printing, ceramics and jewellery.

Previous Exhibitions

Curious Things: A glimpse into the International Mail Art Archive of Michael Leigh and Hazel Jones

16 September 2019 - 18 July 2021

Special Collections Gallery,
3rd Floor,
All Saints Library

Curious Things StampFor more than forty years, artist Michael Leigh has been creating, sending, receiving and collecting Mail Art, small‑scale works sent through the post. The archive he has amassed with fellow artist Hazel Jones includes worldwide correspondence with over fifty artists and encompasses envelopes, rubber stamps, zines, catalogues, badges, artistamps, artist trading cards, add to and pass on books, collaborative books and posted objects. This exhibition features a selection of material from the archive and has been curated by Michael Leigh and Hazel Jones, Senior Lecturer at Manchester School of Art.

Ruskin's Manchester: 'Devil's Darkness' to Beacon City

24 June 2019 - 23 August 2019

Special Collections Gallery,
3rd Floor,
All Saints Library

Ruskin's Manchester This year marks the 200th anniversary of the birth of John Ruskin (1819-1900), the prominent and influential Victorian writer, art critic, artist and social thinker. Ruskin gave some of his most important lectures in Manchester and was enthusiastically received by Mancunians who formed the first Ruskin Society and the first exhibition dedicated to him in 1904. This exhibition celebrates Ruskin's relationship with Manchester and the city's response to him.

Ruskin spoke out against the social, political and environmental injustices of his day. He criticised the worst aspects of industrialisation which caused pollution to flow from the city's factories, leading him to describe the smog that settled over Manchester as the 'Devil's Darkness'. He promoted access to museums and art education for the working classes. During his lecture 'The Unity of Art', at the Manchester School of Art, he spoke about education, manufacture, craft and art, declaring that, 'FINE ART is that in which the hand, the head, and the heart of man go together'. This lecture is at the heart of this exhibition, which uses architecture, books, drawings, paintings, studio pottery and textiles to introduce Ruskin and demonstrate his importance and influence on art, craft and design education.

The exhibition has been curated by Dr Rachel Dickinson, Principal Lecturer (Interdisciplinary Studies/English) at Manchester Metropolitan University and Director of Education at Ruskin's Guild of St. George, with contributions from other partners. It is part of the Ruskin in Manchester festival and global Ruskin 200 celebrations.

Drawing the Modern: The work of Gordon Hodkinson and post-war architectural education in Manchester

10 September 2018 - 5 April 2019

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Drawing the modern Drawing the Modern draws on the archive of Gordon Hodkinson (1928-2018), a student of architecture at Manchester Municipal School of Art in the 1940s-1950s.  The exhibition explores post-war architectural education through a selection of Hodkinson's drawings including sketches, gouache rendered plans and construction details, as well as project briefs and lecture notes.

In Manchester in the mid twentieth century there were two schools of architecture. One was based at Owens College (The University of Manchester) and the other at Manchester Municipal School of Art. At the Municipal School, under the direction of Head of Architecture Douglas Jones, modernism was central to teaching and design in architecture. It was in this modern school of architecture that Gordon Hodkinson studied between 1944 and 1951. He was sponsored by H.T. Seward of the architectural firm Cruickshank & Seward and went on to spend his whole career with the firm. He was involved with the Ferranti factory in Wythenshawe and the nearby headquarters for the Renold Chain Company. Gordon was also project architect for the Renold Building on the former UMIST campus, the city's best group of twentieth century buildings.

This is the first public exhibition of work from Hodkinson's archive and that of Cruikshank & Seward. It has been curated by Dr Richard Brook, Reader in Architecture at Manchester School of Architecture, Manchester Metropolitan University.

Oceans Apart: Great Migrations, Grand Tours and Atlantic Liners 1870-1940

16 April - 17 August 2018

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Oceans apart Oceans liners are synonymous with the age of travelling in style but the stories of those who travelled on them varied greatly. Drawing on archives and advertising material, this exhibition explores these stories to reveal the contrasting experiences of poor emigrants journeying to the Americas in steerage and the voyages of the wealthy who travelled in luxury in First Class.

More than 50 million people crossed the Atlantic in great waves of migration during the 19th and early 20th centuries. The exhibition provides insights into some of the motives and life-changing decisions that led people to undertake these sometimes-perilous journeys in search of better lives in the Americas. Among the unique documents included in the exhibition are original letters, ticket-books and ledgers from the archives of Irish emigration agent and general merchant, John Gibbons (1874-1957) of Westport, Co. Mayo.

The exhibition also explores a very different type of voyage to that offered by shipping lines to the migrating steerage-passengers: one of luxury and style, available to wealthy travellers returning to the Old Country, taking cruises or touring Europe and the Middle East. The glamour of First Class travel is represented through a collection of posters and brochures from the Golden Age of steamships that held the promise of exotic locations and opulent surroundings.

The exhibition has been curated by Dr John Gibbons, Senior Lecturer in the Department of History, Politics and Philosophy at Manchester Metropolitan University.

Outsiders and insiders: Savoy through the lens of the Michael Butterworth archive

25 June - 25 July 2018

Spotlight Gallery, ground floor and Reading Room, third floor,
All Saints Library

Reverbstorm 6, an edition of David Britton's Lord Horror, vol. 1 no. 13. Artwork by John Coulthart, edited by Michael Butterworth. Savoy Manchester, 1997 We have recently acquired the archive of the Manchester-based author, poet and editor, Michael Butterworth. Much of Butterworth's output was produced under the rubric of Savoy, the Manchester-based publisher which he co-founded in 1976 and closely identified with. The archive has great value as a potential source of new knowledge about Savoy, but it is also significant as a portal to Manchester's underground culture of literature and visual images. This exhibition provides a taster of this remarkable resource through selected objects in the two key areas: Savoy and the image and Savoy's international network.

Curated by David Brittain, Senior Lecturer in Media at the Manchester School of Art, with video by Clara Casian.

Collecting Malcolm Garrett: snapshots from the world of tomorrow

11 September 2017 - 23 March 2018

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Collecting Malcolm Garrett This exhibition of books, clothing, toys and ephemera drawn from the personal collections of renowned graphic designer Malcolm Garrett highlights his compulsive interest in new worlds and futuristic design. From this diverse selection of objects it is clear that the work Garrett produced at Manchester School of Art, which in turn played its part in shaping a 'new wave' of music and fashion at the end of the 1970s, was inspired by the ephemeral, cultural media surrounding him as he grew up. The exhibition shows how the iconography of science fact, fiction and fantasy have had an enduring influence on his work and life.

Tricking the Impossible: word and type: Penny Rimbaud and Bracketpress

24 April - 25 August 2017

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Tricking the Impossible This exhibition examines the close, collaborative relationship between the author Penny Rimbaud (co-founder of the highly influential punk rock collective Crass) and typesetter and book designer Christian Brett. The exhibition draws on extensive archive material from the Bracketpress archive held at Manchester Metropolitan University Special Collections. Brett's collaborations with Rimbaud employ many expressive and conceptual typographic tricks, creating visually exciting designs for some very challenging texts. Along with published material (novels, essays, poetry and music) the exhibition also includes working designs for as yet unpublished works.

Bracketpress is an independent radical publisher of books, pamphlets and limited edition prints co-founded by Christian Brett & Alice Smith. The exhibition is part of RANDOM Archive, a collaborative project with Bury Art Museum & Sculpture Centre exploring text and type.

Will Mellor: an arts and crafts book artist

24 April - 26 May 2017

All Saints Library

Will Mellor Will Mellor (1885-1966) was apprenticed as a bookbinder and studied at the Manchester School of Art between 1903 and 1909.

He excelled in book design and illustration, calligraphy and in fine bookbinding, winning many School awards, as well as national prizes and free scholarships. His work was noted and illustrated in the leading art and design magazines of the day.

Whilst still an apprentice Will Mellor became Honorary Secretary of the Northern Art Workers Guild, the leading organisation promoting and supporting handcrafts in the north of England. After completing his apprenticeship (1906) he described himself as a book finisher, working on his own account, yet he seems not to have worked full time as bookbinder. He undertook commercial advertising and design work, wrote articles for the Journal of Decorative Art, and was employed as an assistant/specialist teacher at the Manchester School of Art.

He found full time employment in 1924 as the Secretary of the National Federation of Master Painters and Decorators. He undertook some advertising work for his employer, and was an occasional member of both the Red Rose Guild and the Design and Industries Association. In his will of 1958 he still described himself as a 'decorative artist'.

The exhibition continues upstairs on the 3rd Floor of the library, in the Special Collections Reading Room.

We would like to thank Barry Clark for curating this exhibition and also Manchester Libraries, Information and Archives, Manchester City Council for lending to the exhibition.

Drawing the Wake: Reading Finnegans Wake through drawing

5 December 2016 - 31 March 2017

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Drawing the Wake Finnegans Wake took James Joyce seventeen years to write. Published in 1939, it was his last and most extraordinary prose work. Despite influencing diverse creative fields, it remains more referred to than read. Its experimental language discourages many from discovering the book's lyricism, depth and outrageous humour. Often regarded as the preserve of scholars, it has a reputation for requiring guides, annotations and other interpretive aids to understand it. So what happens if we read it simply for itself, as a novel?

Drawing the Wake presents practice-based research by Clinton Cahill, Senior Lecturer in Graphic Design at Manchester School of Art, using notational drawing to capture interior visual impressions in the moment of reading.

Rena Gardiner: Artist and Printmaker

12 September - 18 November 2016

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Rena Gardiner Rena Gardiner (1929-1999) spent her life entirely devoted to her art, creating books, prints and paintings. She is best known for a series of guidebooks to historic places, buildings and the countryside, each of which she wrote, printed and illustrated herself. This exhibition will include some of these guidebooks alongside paintings, pastels, linocuts and sketch-books and a display of work by some of the artists who influenced Rena including Eric Ravilious, John Piper and Edward Bawden.

The exhibition is based upon the book Rena Gardiner: Artist and Printmaker by Julian Francis and Martin Andrew, published by Little Toller Books in association with the Dovecote Press, 2015.

The Lost Boys: Remembering the boy soldiers of the First World War

13 June - 26 August 2016

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

The Lost Boys At the outbreak of the First World War, the legal age limit for armed service overseas in the British Army was 19 years. However, by the end of the war an estimated 250,000 underage soldiers between the ages of 14 and 18 had seen active service.

The Lost Boys: Remembering the boy soldiers of the First World War uses the commemorative qualities of ceramics to examine the issue of underage soldiers and to raise public awareness of their contribution. An interdisciplinary research team from Manchester Metropolitan University worked in association with The Clay Foundation, Stoke-on-Trent, and the Staffordshire Museums Strategic Consortium to engage young volunteers as both researchers and makers.

The project was funded through an Arts and Humanities Research Council Voices of War and Peace community engagement award, and the exhibition features artworks from the Resonance touring exhibition funded by Arts Council England.

Projecting British Design: the Design Council Slide Collection in focus

18 April - 28 May 2016

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Projecting British Design This exhibition highlights a nationally important photographic archive recently transferred to MMU Special Collections, and provides a rare opportunity to experience its materiality first hand. Comprising a wealth of imagery showing selected examples of British design and the campaigning activities of the Design Council, the slide collection is a unique prism through which to view the key debates around design and taste after the Second World War. From post-war austerity to Thatcherism, Modernism to Pop, Projecting British Design offers historical insight and visual pleasure in equal measure.

We built this city: Manchester Architects at 150 - Celebrating generations of innovation

30 November 2015 - 18 March 2016

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

We built this city We built this city profiles architectural drawings of key members of the Manchester Society of Architects alongside the historic Library collection, promoting the rich architectural history of Manchester. The exhibition charts the influence of the Society on the cityscape and architectural design in Greater Manchester through original drawings. Rare folios from the Manchester Society of Architects Library at MMU Special Collections will show the wealth of material on offer to members who frequented the Society's rooms. Highlights include work by W and G Audsley, Owen Jones, William Kent, Palladio, Piranesi, and Stuart and Revett.

Rustic Adornments

16 November - 30 November 2015

All Saints Library

Rustic Adornments A selection of books from the Artists' Books Collection and Book Design Collection on the theme of garden design and adornment, including books by Ian Hamilton Finlay and Barbara Jones.

Are we there yet? 150 years of progress towards equality

17 August - 6 November 2015

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Are we there yet? From Peterloo to the Pankhursts to Pride, the people of Manchester have played an important role in bringing about change.

This exhibition surveys the progress made towards equality in the UK by tracking key events, figures and legislation, with Manchester as a focus. It highlights change through archive photographs, magazines, films, posters and campaign material. Alongside this, children's books selected from MMU Special Collections reflect changing attitudes to women, disability, race and sexual orientation over the last 150 years. The exhibition invites viewers to consider the present in the light of the past and ask themselves "Are we there yet?"

Are we there yet? has been curated by members of Manchester Metropolitan University's Equality and Diversity Team and Fora.

Illustrating Alice

22 June - 17 July 2015

All Saints Library

Illustrating Alice This year marks 150 years since the publication of Lewis Carroll's "Alice's Adventures in Wonderland". To celebrate this anniversary, this small exhibition will feature some of the many versions of the book that have been published since 1865. Highlighting the different approaches that illustrators have taken in interpreting this story, the exhibition will include illustrations by John Tenniel, Arthur Rackham, Mervyn Peake, Ralph Steadman and Anthony Browne.

We Want People Who Can Draw: Instruction and Dissent in the British Art School

20 April - 31 July 2015

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

We Need People Who Can Draw This exhibition will bring together manifestos and other forms of subversive literature that explore aspects of the history of British art schools since the Second World War and position past episodes of dissent in relation to present concerns in art education in the UK.

Image: Sit-in at Manchester Polytechnic c1970 © Visual Resources Centre at Manchester Metropolitan University

Flower Show

19 May - 19 June 2015

All Saints Library

Flower Show The opening of RHS Chelsea marks the beginning of a season of flower shows. This small selection of books highlights our enduring enjoyment of gardening and features numerous examples of the beautiful illustrations which often accompany such books, including work by John Farleigh, Charles Frederick Tunnicliffe and John Nash.

Image and Word: The Julian Francis Collection of Prints and Illustrated Books

19 January - 27 March 2015

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Image and Word An exhibition of prints and illustrated books from the collection of Julian Francis and including work by Edward Ardizzone, John Farleigh, Barnett Freedman, Lucian Freud, Eric Gill, Enid Marx, Agnes Miller Parker, John and Paul Nash, John O'Connor, and Eric Ravilious. Also on display will be a selection of material from the artists' archives held at MMU Special Collections, giving further and unique insights into the artistic practices of some of these key figures in British art of the last 100 years.

Future Archives

2 - 27 Febuary 2015

All Saints Library

An exhibition curated by postgraduate students from at the Manchester School of Art studying the Image and Archive unit. The exhibition complements another exhibition which will be on display on the fifth floor of the Chatham Building from 5 -19 February. Participating students: David Gilbert and Hollie Myles (MA contemporary Curating), Katie Jones (MA Design Cultures), Alexander G Modoi (MA Photography) and Joanna Spicer (MA Illustration).

Telling Tales: Making Connections

23 - 30 January 2015

All Saints Library

Telling Tales: Making Connections illustrates the connections between a range of artefacts from the 19th and early 20th century that might not ordinarily be linked together. The display is designed to give the viewer a chance to draw his/her own conclusions about the relationships between these artefacts. The exhibition has been curated by Amanda Saakwa-Mante (Art History and Curating student at MMU) with support from members of staff at MMU Special Collections and the Manchester School of Art.

The Beautiful Game

5 January - 20 January 2015

All Saints Library

The Beautiful Game The Beautiful Game commemorates the extraordinary events of Christmas Day 1914. An unofficial truce called a temporary halt to the carnage on the western front and improvised football matches took place in no-man's land. The work adopts the genre of Crested China, a type of souvenir-ware, which was at the height of its popularity during the First World War. The figures feature regimental crests and the names of soldiers known to have witnessed or participated in the Christmas truce. The display cases also show examples of commemorative Crested China made during the First World War, in the shape of tanks, military caps, submarines and more.

Professor Stephen Dixon is a Professorial Research Fellow in Contemporary Crafts and the Crafts Research Centre leader at the Manchester Institute for Research in Art and Design, Manchester School of Art.

Image: Photography by Johnny Magee © the artist

Season's Greetings

Until 5 January 2015

All Saints Library

Season's greetings A selection of Christmas greetings cards made by artists and designers and sent to Simon Lawrence, proprietor of the Fleece Press, and to his grandfather, Stanley T.E. Lawrence, of Lawrence Art Supplies. These cards are part of the extensive artists' cards collections held in MMU Special Collections.

Material Matters

22 September - 12 December 2014

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Material Matters This exhibition looks at how different materials have been used in art, craft and design over the centuries and across cultures. Historic objects from MMU Special Collections will illustrate how the choice of material changes how we shape and utilise objects; how the use of some materials hasn't changed over centuries; and how new materials impact on object design and development. To complement the historic collections, contemporary work by makers from the Manchester School of Art who work in both traditional and new materials is included, showing the ongoing importance of materiality to the artist and designer, and how far materials give expression to their work.

Creative Multimedia

10 November - 18 November 2014

All Saints Library

An exhibition of preparatory work by students studying BA (Hons) Creative Multimedia at Manchester School of Art. The students have researched objects held in the Manchester School of Art Collection and have produced new work inspired by these objects. This exhibition includes drawings, photographs and maquettes which record their research processes.

The students will be hosting a one-off live event to showcase the work they have created which explores a variety of approaches to contemporary digital multimedia. The event will take place in MMU Special Collections, on the 3rd floor of the All Saints Library, on Wednesday 12 November from 17.00-19.00. All welcome, no need to book.

Degrees of Separation

15 September - 23 October 2014

All Saints Library

Degrees of separation Degrees of Separation draws inspiration from the children's stories written by Noor Inayat Khan, the 'Spy Princess' who was killed during World War Two. Re-imagining South Asian myths and legends, digital artist Sumit Sarkar (KrikSix) has worked with Apna Creatives to research books and objects with a South Asian connection from the collections of MMU Special Collections, the Manchester Museum, the Gallery of Costume and The John Rylands Library. Inspired by their research, they have created an exhibition of sculptures, made using 3D printing technology, that explore new ways of narrative story making.

Image ©Sumit Sarkar (KrikSix)

Tigers, caterpillars and other wild things: children's books in the 1960s

Monday 16 June - Friday 5 September 2014

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Doreen Roberts drawing A delight for visitors of all ages, this exhibition features a host of much-loved characters and stories from children’s books of the 1960s selected from the Children's Books and Book Design collections held at Manchester Metropolitan University Special Collections. It includes well-known publishers such as Ladybird and Puffin, and authors and illustrators including Eric Carle, Roald Dahl, Alan Garner, Judith Kerr, Doreen Roberts, Maurice Sendak, Brian Wildsmith and John Wyndham.

Programmed as part of the Manchester Children's Book Festival (26 June - 6 July 2014).

Image: Original illustration by Doreen Roberts for A Quarrel of Witches by Margaret Storey, Faber and Faber, London, 1970, © Doreen Roberts.

Belle Vue - Showground of the World

Until 10 September 2014

All Saints Library

Belle Vue exhibition photo A small exhibition of work made by first year 3D Design students at Manchester School of Art in response to material held in the collections of MMU Special Collections, Chetham’s Library and the recent Belle Vue exhibition at the Manchester Histories Festival.

Imaginary Islands

Until 7 August 2014

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Doreen Roberts drawing A display of books from our Children's Books collection that feature stories set within island worlds and an interactive island game developed in response to images from these books. The game has been created by Vineta Gailite, a postgraduate student at MMU's Design Lab, and the books have been selected by Laura Mansfield, a postgraduate researcher at MIRIAD.

A Chromatic Revolution: the search for affordable colour in 19th century British book illustration

Monday 20th January - Friday 16th May 2014

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Illustration An exhibition of books and prints from our collections that explore commercial and technical developments in colour printing throughout the 19th century, from hand-coloured woodblocks to the earliest photomechanical printing processes.

Image: The Principles of Harmony and Contrast of Colours by M.E. Chevreul, George Bell and Sons, 1890.

Pioneers of Art and Design: Manchester School of Art, 1880-1930

24 March - 18 April 2014

All Saints Library

Emma Louise Bradbury drawing In 2013, Manchester School of Art celebrated its 175th anniversary. This exhibition looks at the history of the School from 1880- 1930 through material from the Manchester School of Art Collection and the Manchester School of Art Archive. It focuses on some of the staff and students who taught and studied at the School during that time, including Walter Crane and Adolph Valette. The exhibition has been curated by two undergraduate History students from Manchester Metropolitan University as part of their History in Practice unit.

This exhibition is part of the Manchester Histories Festival 2014.

Manchester Histories Festival / 21 - 30 March 2014 / / @mcrhistfest

Women in Print 1920-1965

Monday 3 March - Friday 21 March 2014

All Saints Library

Programmed to coincide with the Women in Print event on Friday 7 March, this exhibition will include work by artists and designers including Enid Marx and Peggy Angus, drawn from the Book Design and Children's Books Collections held at MMU Special Collections.

Victorian Valentine Cards

10th February - 28th February 2014

All Saints Library

Illustration A delightful display of Victorian Valentine Cards selected from the Laura Seddon Collection of Victorian and Edwardian Greetings cards. The Collection contains 450 Valentines Cards dating from the nineteenth century.

HOME: 50 Illustrators, 50 Home-based memories, 50 visual narratives, 50 Die-cut Houses

13th January - 7th February 2014

All Saints Library

Illustration Fascinated by childhood memories and their resonances in his own work, Jonathan Ward invited 49 fellow artists/illustrators to help him create HOME. The result is a rich tapestry of warm, dark and surreal responses where invisible friends, romantic escapades, tragic moments, and political reflections await the viewer. HOME was awarded the Birgit Skiöld Memorial Trust Award for Excellence in Artists’ Books and was previously exhibited at the Victoria & Albert Museum in London in 2013. The exhibition includes work by Ian McCullough, Programme Leader for the BA (Hons) Illustration and Animation at the Manchester School of Art.

The Language of Process: how new materials and technologies are changing product design

Monday 23rd September - Friday 20th December 2013

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Shoreline and Watershed poster The landscape for design and making is changing, and with it the language of objects.

The development of Computer Aided Design, new materials and digital production technologies has revolutionised the tools and opportunities available to designers. The Language of Process showcases a range of innovative products produced using cutting edge approaches to design and manufacture. It includes thirty pieces by some of the world’s leading creative designers, from established figures to up-and-coming talents.

Featured designers:

  • Assa Ashuach
  • Maarten Baas
  • Tord Boontje
  • Tom Dixon
  • Droog
  • Michael Eden
  • Fluid Forms
  • Front
  • Patrick Jouin
  • Kram and Weisshaar
  • Seongyong Lee
  • Geoffrey Mann
  • Drummond Masterton
  • Ingo Maurer
  • Gareth Neal
  • Daniel O'Riordan
  • David Trubridge
  • Unto This Last
  • Dirk Vander Kooj
  • Marcel Wanders
  • Ben Wilson

The work may surprise, delight or even offend, but it will challenge preconceptions of what is possible, and the future of product design.

The exhibition has been curated by David Grimshaw, Programme Leader for MA/MSc Product Design at Manchester Metropolitan University, and features products selected from MMU Special Collections’ School of Art Collection.

Mr Dedman's Victory Suit: Intimate stories of make do and mend

15th April - 30th August 2013

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Mr Dedman's Victory Suit poster This exhibition brings together work made by Amanda Ravetz and Antonia Riviere during a two-month research fellowship at the National Film and Sound Archive in Australia in 2012. As sisters, Ravetz and Riviere worked together, sharing their skills in art and anthropology. Their focus was on clothes rationing during World War Two and in this exhibition they explore how Britain and Australia reacted to clothing shortages during the war and how limitations and loss affect individual makers.

Make do and Mend was the name of the government austerity campaign launched in Britain during World War 2. It encouraged people to conserve materials to support the war effort. Several examples of garments and mending materials from wartime Britain appear in this exhibition. Wartime rationing in Britain is well documented, but less is known about the Australian situation. A newsreel shows John Dedman, Minister for War Organisation of Industry modelling his newly designed Victory Suit. This and other films give an insight into Australia's programme of rationing. The exhibition also includes contemporary video and textiles by Ravetz and Riviere.

Amanda Ravetz studied Fine Art at the Central School of Art and Design and Social Anthropology with Visual Media at the University of Manchester. She is a Senior Research Fellow at MIRIAD, the research institute of the Manchester School of Art, MMU. Her work explores experiences of improvisation and reverie in makers' processes.

Antonia Riviere studied ceramics and textiles at Farnham (WSCAD) in the 1970s and completed a counselling MA at the University of East Anglia in 2006. These practices come together in her current pieces which explore the attachments and memories present in worn out clothing and domestic textiles.

We gratefully acknowledge the support of:

  • The National Film and Sound Archive of Australia
  • Australia War Memorial
  • Norfolk Museums and Archaeology Service
    (The Costume and Textiles Study Centre, Norwich)
  • Gallery of Costume, Platt Hall
    (Manchester City Galleries)
  • Dr Alison Slater, MMU
  • Dr Melanie Miller, MMU

Art Nouveau: Highlights from the Special Collections at Manchester Metropolitan University

28th January - 22nd March 2013

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Art Nouveau poster The exhibition features a beautiful selection of glassware, ceramics, metalware, posters and books, and includes the work of artists and designers whose names are famously associated with the Art Nouveau style, such as Archibald Knox, Jessie M King and Aubrey Beardsley.  Also on display are some of the most influential journals of the time, including Jugend, The Studio, and The Yellow Book.

The notion that stylistic developments in art and design progress along linear trajectories, swinging from new idea to counter idea like some sort of dialectal pendulum is not accurate, but is very pervasive and persuasive. This is nowhere more evident than in the various attempted definitions and descriptions of Art Nouveau.

No one thing really defines the movement, except perhaps the dates within which it flourished, from the 1880’s to 1914, when it was curtailed by the onset of the First World War. Even the stylistic vocabulary that the movement is perhaps most known for, the sinuous curve, is not common in all it’s expressions.  It is probably best summed up in the term Fin de Siecle, which although literally meaning the turn of the century, has within it a sense of the ending of an era, a culmination of the 19th century in style and ideology, that will evolve  into something new and vigorous; but there is also a sense of Bohemianism and decadence leading to degeneration and even decay.

Within the visual arts, the style is marked by the giants of design history, such as Hector Guimard, Victor Horta and Charles Rennie Mackintosh, with their distinctive, but exclusive designs; but equally entrepreneurs such as Arthur Liberty and Samuel Bing, who recognising the commercial potential of a style that could be available to more than an elite would popularise the movement through their famous establishments (Bing’s Maison de l'Art Nouveau in Paris and Liberty & Co., London). In time the style became ubiquitous and fell out of fashion, and it‘s designers anonymous jobbing commercial artists. However the associations with youth, and with decadent Bohemianism would remain, ensuring future generations would either reject it wholesale, or embrace it and re-use it, even today where it has become a visual short-hand  for affordable luxury.

The period in which Art Nouveau flourished is also known as the golden age of illustration. This was not only because with the new style came new perceived freedoms in artistic expression, but developments in mass production of print opened up the possibililty of cheap, quality reproductions which in turn created a vast new audience with a huge appetite for the graphic arts.

This exhibition does not represent a comprehensive overview of Art Nouveau; it only offers a small glimpse into a movement that defined a period.

Shoreline and Watershed: An exhibition by Anthony Ratcliffe, artist and printmaker

17th September - 14th December 2012

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Shoreline and Watershed poster An exhibition of woodcut prints, watercolours, sketchbooks and artists' books by artist and printmaker, Anthony Ratcliffe, reflecting a lifelong passion for the British landscape.

The exhibition features a selection of work from two recent projects Shoreline, which contains prints of the coastline of Britain, and Watershed, images and constructions made from a study of the Pennine watershed overlooking Manchester. Their shared theme is how the landscape is changed by weather, seasons, flora and fauna, and by human intervention, agriculture and occupation; past and present.

Anthony's work is informed by a familiarity with the landscape that comes from a long standing love of climbing, fell-running and sailing. His fascination with recording the landscape stems from using maps and guidebooks for fell running and climbing which in turn led to an interest in the historical documentation of journeys and exploration.

Alongside his own collection of maps, guidebooks and early climbing guides, which are illustrated with artists' drawings and topographical maps, he has selected work from our own book collections that show historical and contemporary representations of the landscape.

Anthony Ratcliffe has exhibited widely in the UK and his prints can be found in many public and private collections in this country and abroad including The British Council and Houses of Parliament. He is currently Senior Lecturer and Programme Leader for Foundation Course in Art and Design at MMU where he originally started employment as a technical printmaking assistant.

Old friends and new faces: Illustrated characters from children's literature

19th June 2012 - 24th August 2012

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Old friends and new faces exhibition poster One of the pleasures of browsing in libraries and second hand book shops is happening on a book that you had forgotten, but was once a great favourite. This is particularly true of those characters from children's books, whose depiction in an illustration remains with us as much as any portrayal in word. A chance encounter with such a seemingly forgotten illustration can be a highly evocative experience.

In this exhibition we have recovered some of those characters. They may not be long-standing or current favourites, but they were well loved and established in their time and have recurred in more than one story. We have also included some recent favourites.

This exhibition features just a small part of the 10,000 books that make up Manchester Metropolitan University Special Collections' Children's Book Collection, as well as showing original artwork from the archive of the artist and illustrator Leslie Wood (1920-1994) who was a student of the Manchester School of Art (1938-1944) and the illustrator of the popular Little Red Engine series of children's books.

Paolozzi at New Worlds: Art & science fiction in the sixties

12th April 2012 - 2nd June 2012

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Paolozzi exhibition poster In the sixties a "new wave" of British science fiction emerged that embraced the most progressive forces in culture at the time. This included the latest visual art that eschewed traditional genre boundaries. This exhibition considers this process through the pages of New Worlds, bible of the "new wave". In 1967 the magazine began to run half-tone reproduction and colour covers, encouraging a lively and complex relationship between art and literature. Writers at such as J.G. Ballard and Michael Moorcock, took inspiration from contemporary artists, including Richard Hamilton and Andy Warhol. By far the most influential was Eduardo Paolozzi (1924-2005) who was listed as "aeronautics advisor" in the magazine between 1967-69.

A sculptor, designer and print-maker, Paolozzi was admired as a tireless champion of popular culture and respected as the embodiment of a "new sensibility" in art. He produced ground-breaking graphics that reflect an interest in text, while alluding to the emergence of new cybernetic technologies. The centrepiece of the exhibition is the edition, "Moonstrips Empire News" (1967) which will be shown alongside items from Paolozzi's collection of space toys that reflect the importance of science and technology in his art. A display of rare scrapbooks by the artist offers evidence of the incursion into popular culture, and of the new "invisible" technologies in the form of adverts and editorial pieces from magazines.

This exhibition was curated by David Brittain, Research Fellow and Senior Lecturer Photography at MMU. This exhibition will be shown in an expanded version at the Scottish National Gallery of Modern Art in 2013 and a publication is due from Savoy Books. The exhibition has been supported by the Paolozzi Foundation and the Manchester Institute for Research and Innovation in Art and Design (MIRIAD) at MMU.

The Best Tools, the Best Methods, the Best Aims... : The Society of Wood Engravers 1920 - 2012

16th January 2012 - 23rd March 2012

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Best Tools exhibition poster "It is admittedly a time of experiment. We have to rediscover the best way of doing things - the best tools, the best methods, the best aims." Eric Gill, 1927

This exhibition celebrates the very generous donation by the Society of Wood Engravers (SWE) of their archive to the Manchester Metropolitan University Special Collections. The archive includes material from the Society's foundation in 1920 and traces its development up to the present day.

The exhibition includes material from the SWE archive along with examples of some of the finest 20th century wood engraving from our book collections and unique material from some of the artists’ archives. In addition to showing the work of current members each has nominated a past member, who they regard as having been a particular inspiration to them; either through their work or more personally. The contemporary print has been displayed alongside a print by this 'sage'.

In depositing their archive with MMU Special Collections the SWE have ensured its long term preservation, as well as making this fascinating material available to those interested in the SWE illustrious past and its exciting future. They have also placed the archive alongside exceptional collections of books related to wood engraving and with the private papers of a number of artists who are recognised as being amongst the leading engravers of the 20th century.

By displaying the work of some of today's members alongside that of some of the key figures from the history of the SWE we hope to highlight both the continuities and also the developments in the art of wood engraving in this country through the 20th century and beyond and also to echo the words of Eric Gill in suggesting that this is still "a time of experiment".


Thanks to:

  • All the members of the SWE who contributed to the exhibition such generosity and good humour.
  • In particular: Simon Brett, Pete Lawrence and Hilary Paynter for all the about and also for helping to make the exhibition possible.    
  • The Whitworth Art Gallery, The University of Manchester
  • John Commander, Phillida Gili and Anne Ullmann.
  • Jo Philips of MMU’s design team for all aspects of the exhibition’s design.
  • Tony Richards, Photographer.  
  • Professor Ian Rogerson.  

The Glass Journey: An exploration of narrative and symbol; contemporary glass by Kirsteen Aubrey

15th August 2011 - 16th December 2011

MMU Special Collections Gallery,
3rd Floor,
All Saints Library

Glass Journey exhibition poster Kirsteen Aubrey is a contemporary glass artist and lecturer at MMU who is known for beautiful and evocative forms and landscapes in cast and blown glass.

This exhibition features a new body of work that is the culmination of a series of partnerships with makers working across a variety of media and has been influenced by the use of writing as a way of advancing the creative process. This has allowed Kirsteen to explore and combine processes such as using blown and cast glass in innovative ways, bringing together lamp-working, spot welding and digital technology.

The exhibition also acknowledges the use and importance of narrative, specifically creative writing, in her making process, so that the writing becomes as much a part of the finished product as the images and objects to which it relates. Alongside this is an examination of the studio process and the material exploration that informed the work. Through this, the creative journey is highlighted, demonstrating how text, imagery, process and material investigation are interwoven, each informing a response to the next: an ebb and flow of idea and form.

Kirsteen's work is complemented by contemporary glass pieces from MMU Special Collections, all recent acquisitions, and all selected to exemplify new directions in making and theory, and includes work by Catherine Carr, Vanessa Cutler, Catherine Forsyth, Zoe Garner and James Maskrey. Also on display is a selection of prints, books and decorated papers from the Japanese material held in the collections, much of which was used to inform her new work.

Bright Young Things: Collections Inspiration Design

26th April 2011 - 15th July 2011

Bright Young Things exhibition poster Bright Young Things is an exhibition of lighting designs, made by Year 10 students of Parrs Wood High School, Manchester, alongside the artworks and books from MMU Special Collections which inspired them.

Award winning designer and MMU alumni Claire Norcross worked with the collections to develop and pilot an design based learning programme within the GCSE Design and Technology curriculum, with a local school, Parrs Wood High School.

This show is the culmination of that project which used the collections as inspiration for the creation of a domestic light, to be designed by each student for a specific task and space; to solve a problem identified by each student.

MMU Special Collections was awarded funding by the Victoria & Albert Museum to run the project under the Design For Life scheme.

Design For Life is a national initiative which seeks to develop new ways of engaging young people in design, enabling them to work alongside professional designers and gain inspiration from museum collections. It aims to identify ways in which museums can support young people in developing their talents and becoming active in the creative economy as adults.

Led by the Victoria & Albert Museum, the Design For Life partnership includes 15 regional museums. MMU Special Collections has also been supported by Manchester Art Gallery. Design For Life is part of the strategic commissioning programme for museum and gallery education funded by the Department of Culture, Media and Sport, the Department for Education and also by the Museums, Libraries and Archives Council.

The Kite Needs the String: the book illustration of David Gentleman

29th November 2010 - 8th April 2011

The Kite Needs The String exhibition poster For over 40 years David Gentleman has been one of the country’s leading illustrators and graphic designers. He has worked extensively in book illustration, producing the covers for the Penguin Shakespeare series; in postage stamp design, revolutionising the way stamps look in this country; in poster design, working for the National Trust and also designing the ‘stop-the-war’ posters that were such a feature of the massive demonstrations against the war in Iraq. He also designed the Eleanor Cross mural that adorns Charring Cross Tube Station.

This exhibition concentrates on Gentleman’s book illustration, drawing on MMU Special Collection’s extensive holdings of his work which is displayed alongside the artist’s own archive of working drawings, sketchbooks, photography and design layouts. However the exhibition also includes his work in other fields to reflect Gentleman’s strongly held belief that the common principles and practices of drawing and design apply across the mediums to which they are applied.

Exhibition Catalogue

To celebrate we are producing an illustrated exhibition catalogue and bibliography available to purchase from 29 November 2010 priced at £2.50. To order a copy please contact or phone 0161 247 6107.


Until 13 November 2010

Pairings exhibition poster Over the last 18 months, 32 disparate makers, from various backgrounds in craft, art and design, have formed 18 cross-disciplinary partnerships (or Pairings) and in the process have had to engage with new technologies and techniques that are unfamiliar and sometimes unlikely.

These marriages of materials, practices and creative identities has given birth to work and ideas that redefine the nature of the object and of craft.

Claire Curneen, Ismini Samanidou, David Gates, Alice Kettle and Stephen Dixon are among the 32 contributors, combining traditional and new practices in and across clay, glass, textiles, metal, wood, paper, digital and film media, and computerised manufacturing technology.

This exhibition aims to display and interpret the processes and document the ‘conversations’, as sketches, tests and experiments, as well as finished outcomes; to show intriguing new objects that challenge our notions of creative identity and ownership; and be a starting point and site for the second phase of activity, where the exhibition itself becomes a discussion between all the makers, and between the makers and the audience.

The Arts and Crafts Movement and the Manchester School of Art

28 June - 3 September 2010

The Arts and Crafts Movement and the Manchester School of Art poster

An A-Z of Children's Books

28 June - 9 July 2010

An A-Z of Children's Books poster The content and format of the children's book are as varied as are our experiences and understandings of childhood. Within that great scope they seem to allow for a greater and more integral use of illustration that is often overlooked or unused in adult literature. For that reason, children's books are one of the cornerstones in the history of book illustration.

The books on display in this exhibition come from MMU Special Collection's Children's Book Collection and the Book Design Collection.

A Japanese Passion: the pottery of Edward Hughes

8 March 2010 - 12 June 2010

A Japanese Passion poster Edward Hughes (October 16, 1953 - March 31, 2006) was one of Britain's very finest potters. Sometimes called "one of studio pottery's best kept secrets" his work was extremely popular in Japan, his life's work was dedicated to making pots for others to use and he spoke about this with a passion.

This is a retrospective exhibition of Hughes' work and includes examples of his work from all periods, from his formative years when studying pottery through to the mature work made in his studios in Japan and Cumbria. The work shown shows his mastery of all aspects of the ceramicists art.

Victorian Valentines: An exhibition of cards from the Laura Seddon collection

1 - 26 February 2010

Victorian Valentines poster The Laura Seddon collection of Valentine cards contains 450 cards dating from the early 19th to the early 20th centuries.

The exhibition features beautiful, ornate handmade lace cards alongside some unexpectedly comic cards, some very offensive to the unlucky recipient!

Many of the sentiments are still culturally relevant celebrating and poking fun at what we now think of as stereotypical Victorian roles and values.

So if you're all 'loved up', come and see how Victorian cards compare to the one you receive or take inspiration from the sentiments expressed to write your own card!

If you are destined to be alone this Valentine's day don't despair as there are even cards to make you feel glad you are single!

Happy Valentine's Day From MMU Special Collections x

The Story of things: curated by Carson & Miller

14 September 2009 to 29 January 2010

Story of Things poster In a museum 'things' sit beside one another in sometimes unlikely combinations. They tell something of their own story but also produce new narratives, just by being together.

Working with MMU Special Collections, including the North West Film Archive, artists Carson & Miller have curated an exhibition that explores ideas of narrative, memory and collections. MMU academic Dr. Patricia Allmer (Research Fellow, MIRIAD) explores the activities of Carson & Miller in an essay written to accompany the exhibition: On Being Touched.

A new artists' book by Carson & Miller - Scrapbook (the story of things) - has been published by MMU Special Collections to coincide with the exhibition.

In tandem to The Story of Things a Righton Press publication will be launched. Stilled Lives is a new collaborative work bringing together artists, designers, poets and writers from across MMU. Edited by Carson & Miller this limited edition volume showcases a striking and thoughtful range of responses to the books held in MMU Special Collections, provoking further explorations of narrative, memory and collections.

About Carson & Miller

Carson & Miller's collaborative art practice explores the impulse to tell and re-tell stories. The artists met whilst studying at MMU and have since developed a number of ways of working together, predominantly by utilising the artists' book format but also exploring print and performance methodologies. To find out more go to their weblog.

Art School! Historic Perspectives

16 March 2009 - 21 August 2009

art school Art School! A new exhibition in MMU Special Collections Gallery features a range of art-work created by students throughout the history of the Manchester School of Art.

The oldest work dates from the 1840s whilst the most recent comes from some of the designers, artists and photographers at the forefront of the creative scene, such as Martin Parr, Liam Spencer and Jim Medway. The exhibition will also feature film from the North West Film Archive and photography from the School of Art archive to give a glimpse into the changing and unchanging life and times of art students at one of Britain's oldest and most important art schools.

This is the second part of Art School!, a collaborative exhibition with the Faculty of Art and Design. Part one is at the Holden Gallery.

Open to all Mon-Fri 10am-4pm, Thurs 10am-7pm

Wesley Meets Art

CJ and Lee A project in collaboration with CJ O'Neill (ceramicist), Lee Garland (photographer), Wesley Community Furniture Project and MMU Special Collections.

Wesley Meets Art Auction

To mark the closing of the exhibition Wesley Meets Art, MMU Special Collections held an auction in the gallery of work made for the project on Wednesday 18th February at 6.00pm

Our guest auctioneer was Eric Knowles from the BBC's Antiques Roadshow.

Download the auction catalogue (pdf file, 700k)

Inspired by the William de Morgan pieces in Special Collections, and the fantastic work done by Wesley (see CJ O'Neill has been working as artist in residence at Wesley one day per week to develop a body of work in response to the environment and people there. Using ceramics from the 'brica' shop there as a canvas, CJ has developed a series of patterns based on a language of silhouettes exploring issues of identity. Staff are also working on their own pieces, developing patterns and cutting silhouettes by hand from transfer paper. The work will be exhibited with Garland's photography of the building, people and places, in the Special Collections' Gallery from 8 December 2008. There will be an auction of all the work developed on this project at the end of the exhibition in 2009 with all proceeds going to the charity helping to continue their great work.

Further information

Place Settings

Helen Felcey and Alice Kettle Gallery 1
Place Settings
Helen Felcey and Alice Kettle

Research and collaboration in places and pieces, ceramics and stitch

Helen Felcey is a ceramicist known for delicate and distinctive unglazed bone china tablewares; Alice Kettle is a textile artist known for expressive embroideries and machine stitched artworks dealing with psychological and mythological themes. In 2007 both completed projects with very distinct outcomes.

Alice Kettle was commissioned by Hampshire County Council to create a major public artwork for the Winchester Discovery Centre. Looking Forwards to the Past was a huge task, taking over a year to make and, measuring 3m x 16.5m, it is probably the largest machine embroidery made. The result is a vivid and compelling exploration of the history of the city and of the limits of machine stitch as a medium.

Helen Felcey's residency at the Jingdezhen Experimental Factory in China culminated in a solo show Two Rooms at the Chinese European Arts Centre in Xiamen in October 2007. New works inspired by this journey not only use different clays and introduce new elements of colour and texture that echo her experience of the Chinese landscape and people, but also encouraged a new found use of photography as a medium of recording and creating.

The research and working practices behind these projects expose a commonality of purpose and process common to many visual artists. In the course of mounting this exhibition, conversations between the artists and between their works have brought to light further, more particular, shared concerns. From these 'conversations' new collaborative work has been created which marks a new phase in the work of both artists and has resulted in some extraordinary pieces, which bring together two distinct areas of practice and two distinct characters.

Robin Jacques: An artist of sustained brilliance

Robin Jacques 18 August 2008 - 14 November 2008

This exhibition celebrates the work of the artist and illustrator Robin Jacques (1920 - 1995). Robin Jacques was that relatively rare thing: someone who successfully made a living as a commercial artist without any formal art education. Nevertheless he went on to pursue a highly successful and much respected career as an illustrator of books, magazines and advertising.

He achieved particular success with his lively and characterful pen and ink drawn illustrations for children's books and for his longstanding and popular editorial illustrations for the Radio Times.

The exhibition also marks the very generous donation, by Ann Valery, of the Robin Jacques archive to Manchester Metropolitan University Special Collections and also the publication of an illustrated bibliography of the work of Robin Jacques, compiled by Professor Ian Rogerson.

Related Events

There will be a programme of lunchtime talks in the autumn to accompany both exhibitions. Please contact Special Collections for more details.

To brighten things up: an exhibition from the Schmoller Collection of Decorated Papers

Schmoller Exhibition poster 26 February 2008 - 1 August 2008

Exhibition summary

This exhibition celebrates the beauty and variety of decorated papers held within the Schmoller Collection of Decorated Papers in the Special Collections Gallery, Manchester Metropolitan University.

History shows that decorated papers were used for many things; as endpapers or wrappers for books or pamphlets; for covering deed boxes, trunks and screens; for lining the insides of harpsichords, desks and cupboards; and even for wallpapering chimney recesses, shelves and other small areas.

The collection itself is largely twentieth century in scope and whilst holding a fine selection of Oriental and Western sheets, by individual makers and companies, is perhaps most significant for the large collection of samples and sample books which are an invaluable aid to the identification of papers and makers as well as a record of the history of aesthetics and decoration.

For 50 years Hans and Tanya Schmoller shared a passion for books and their design and in particular for the myriad patterns and styles found in decorated papers. Together they collected thousands of individual sheets and samples of decorated papers, contemporary and historic, travelling the world to find new and beautiful examples. 'Never mind wasting one's time on art treasures: decorated paper collections were the priority... that is how it started. A collection of decorated papers which were used to brighten things up.' Tanya Schmoller from To Brighten Things Up, Manchester Metropolitan University, 2008

The opening of this exhibition was accompanied by the book: To brighten things up: The Schmoller Collection of Decorated Papers by Tanya Schmoller, with a foreword by Mirjam Foot.

With over 200 full colour images illustrating the variety held in the collection, this book includes chapters on gold-embossed papers, marbling, block printing, machine printing, paste papers, miscellaneous techniques including Batik (or Java) and air brushed papers. It also includes a selection of Oriental papers, mostly from Japan, China and India and covering a variety of techniques.

The book and the exhibition will be a helpful aid to understanding a neglected area of graphic design and will be appreciated by artists, students and researchers of all kinds with an interest in design, surface pattern, book history and much more.

Buy the book accompanying the exhibition

Price: £60 for hardback and £30 for paperback with discounts for students and booksellers. Inland postage and packing £5.

To purchase the book, buy online - buy the hardback or paperback - or telephone 0161 247 6107 or e-mail:

Payment required with order, on goods under £20. Most major credit/debit cards are accepted. Cheques payable to the 'Manchester Metropolitan University'.

To Brighten Things Up: the Schmoller Collection of Decorated Papers, by Tanya Schmoller, with a forward by Mirjam Foot, Manchester Metropolitan University, 2008.

ISBN: Hardback 978-1-905476-27-5; Paperback 978-1-905476-28-2

500 copies of the book have been designed and produced by Northend Creative Print Solutions in Sheffield, 250 in 1/4 bound hardback, 250 softback but with a heavy 350 gsm cover. This book is 340x245mm, 80 pages with 205 full colour images. The typefaces use are Van Dijck and Gill Sans Light, the text stock a slightly off-white smooth coated 190 gsm which enhances the vibrant colours of the paper collection. Language: English.

Confected Landscapes, Cultural Wallpaper and Contemporary Vignettes

Confected Landscapes, Cultural Wallpaper and Contemporary Vignettes poster 19 November 2007 - 1 February 2008

An exhibition by Paul Scott: Ceramics, print and a selection of objects from the MMU Special Collections.

Firing Thoughts: exploring the relationship between ceramics and drawing

firing thoughts poster 29 May - 26 October 2007

The relationship between drawing and ceramics is a relatively unexplored area of contemporary practice. Most ceramicists also work in other media in addition to clay and yet many of us remain unaware of that work and of any connections that could be made between these creative processes. This exhibition provided an opportunity to see that 'unknown' output and to expose more of the creative processes involved in the making of pots.

This association between the artist's two dimensional work and their pottery was explored through four themes:

  • Drawing which parallels ceramic practice, ie work which is connected to but does not directly inform the production of ceramic
  • Drawing that is used to develop design ideas for ceramic
  • Drawing as a tool for recording aspects of ceramic process
  • New approaches to ceramic design using computer technology

Artists represented in the exhibition included Anna Adams, Nancy Angus, Felicity Aylieff, Sharon Blakey, Kyra Cane, John Chambers, Claire Curneen, Stephen Dixon, Helen Felcey, Susan Halls, Ewen Henderson, Tavs J?rgensen, Walter Keeler, Rob Kesseler, Bernard Leach, Bethan Lloyd Worthington, Jim Malone, Alex McErlain, Eric James Mellon, Lucie Rie, James Tower, Robin Welch and Scottie Wilson.

This exhibition was a collaborative project developed between MMU's Faculty of Art and Design and the Manchester Institute for Research in Art and Design (MIRIAD), Manchester Metropolitan University's Special Collections and the Peter Scott Gallery Art Collection at Lancaster University. The exhibition also featured work from the Yorkshire Museum Trust (from the Bill Ismay and Dean Milner-White Collections); from the Lucie Rie and Bernard Leach Archives at the Crafts Study Centre, University College for the Creative Arts, Farnham; the Anthony Shaw Collection and from the private collections of the ceramicists themselves.

Find out more at the exhibition's website,, including details of the full-colour catalogue.

Through the Looking Glass: an exhibition of the illustration of John Lawrence

John Lawrence poster ... takes a chronological look at the career of John Lawrence, who has illustrated many children's books and other works, notably those from the Folio Society. The exhibition displays books, wood engravings and sketches, along with archival material from the Special Collections.

Download the exhibition's souvenir guide (.pdf file, 700k), or order the checklist published to commemorate this exhibition.

Out of the Ordinary

ooto poster ... exhibited the work of Sharon Blakey and Hazel Jones, two artists working in the Faculty of Art and Design at Manchester Metropolitan University. Original pieces by the artists were shown alongside their collections of ephemera.

Download the exhibition's souvenir guide (.pdf file, 143k)

A New Chapter: Book Design Acquisitions

rabbit poster ... showed new books added to the special collections, including those purchased with the aid of grants from the MLA/V&A Purchase Grant Fund and Friends of the National Libraries.

Barnett Freedman Display

A display of material from the Barnett Freedman archive was put together to celebrate the publishing of a new book on Freedman, written by the former University Librarian, Professor Ian Rogerson, and published by Simon Lawrence at his Fleece Press. It ran from 11th September until 19th October 2006.

Colour and Autolithography
in the 20th Century

Colour and Autolithography poster 14 November 2005 - 24 March 2006

1st and 3rd Floor, All Saints Library

A survey of the work produced by artists working with the printing process known as autolithography, which gave artists complete control over colour and shade for the first time. The exhibition covers the work of UK based artists, including masters of the technique like Barnett Freedman, Stanley Badmin and Lynton Lamb, concentrating on the period 1930 - 1950.

There is a free souvenir guide available for this exhibition: download the souvenir guide. (.pdf file, 250k)

You may also be interested in the Exhibition Guide, which includes a list of items that were part of the exhibition. (.pdf file 110k)

Serendipity: a selection of artefacts from Manchester Metropolitan University's Special Collections

Serendipity poster 11 July - 14 October 2005

3rd Floor and 1st Floor, All Saints Library

A group of library staff selected pieces that caught their attention from the Special Collections.

'Lovely Things': English Domestic Interiors and the Trade Catalogue, 1900 - 1939

Lovely Things poster 24 January - 29 April 2005

Documenting stylistic change in Domestic Architecture and the catalogues that helped promote new styles.

'A Friend to Physicians': A selection of drug jars, botanicals and prints from the MMU Special Collections

Friend to Physicians poster 25 October 2004 - 14 January 2005

A look at the relationship between the natural world and the medical world, expressed in books and artefacts, from the 16th century until the early 20th century.

Doreen Roberts: Artist, Author, Teacher
An exhibition of books and archival material at MMU Library

12 April - 30 July 2004

The work of Doreen Roberts, best known for her children's books, is celebrated in an exhibition based on Roberts' archive, donated to the Special Collections by the artist.

Ravilious in Print: books, wood engravings, lithographs and ceramics

7 October 2003 - 26 March 2004

A wide-ranging exhibition on the life and work of artist and illustrator Eric Ravilious.

There is a catalogue available for this exhibition, 48pp including eight colour plates.

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